Sunday, August 21, 2016

Women resoundingly kicked some ass at the Hugo Awards

And I can't even begin or really want to imagine how pissed off the Sad/Rabid Puppies are over this (but more on that later). Here are the nominees and winners for each category.

Best Novel

The Fifth Season by N.K. Jemisin (Orbit)
Uprooted by Naomi Novik (Del Rey)
Ancillary Mercy by Ann Leckie (Orbit)
Seveneves: A Novel by Neal Stephenson (William Morrow)
The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher (Roc)

Best Novella

Binti by Nnedi Okorafor (Tor.com)
Penric’s Demon by Lois McMaster Bujold (Spectrum)
Slow Bullets by Alastair Reynolds (Tachyon)
Perfect State by Brandon Sanderson (Dragonsteel Entertainment)
The Builders by Daniel Polansky (Tor.com)

Best Novelette

“Folding Beijing” by Hao Jingfang, trans. Ken Liu (Uncanny Magazine, Jan-Feb 2015)
“And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb 2015)
“Obits” by Stephen King (The Bazaar of Bad Dreams, Scribner)
“What Price Humanity?” by David VanDyke (There Will Be War Volume X, Castalia House)
“Flashpoint: Titan” by CHEAH Kai Wai (There Will Be War Volume X, Castalia House)
est Short Story (2,706 final ballots, 2451 nominating ballots)
“Cat Pictures Please” by Naomi Kritzer (Clarkesworld, January 2015)
Space Raptor Butt Invasion by Chuck Tingle (Amazon Digital Services)
“Asymmetrical Warfare” by S. R. Algernon (Nature, Mar 2015)
“Seven Kill Tiger” by Charles Shao (There Will Be War Volume X, Castalia House)
“If You Were an Award, My Love” by Juan Tabo and S. Harris (voxday.blogspot.com, Jun 2015)

Best Related Work

No Award
Between Light and Shadow: An Exploration of the Fiction of Gene Wolfe, 1951 to 1986 by Marc Aramini (Castalia House)
“The Story of Moira Greyland” by Moira Greyland (askthebigot.com)
“The First Draft of My Appendix N Book” by Jeffro Johnson (jeffro.wordpress.com)
“Safe Space as Rape Room” by Daniel Eness (castaliahouse.com)
SJWs Always Lie: Taking Down the Thought Police by Vox Day (Castalia House)

Best Graphic Story

The Sandman: Overture written by Neil Gaiman, art by J.H. Williams III (Vertigo)
Invisible Republic Vol 1 written by Corinna Bechko and Gabriel Hardman, art by Gabriel Hardman (Image Comics)
The Divine written by Boaz Lavie, art by Asaf Hanuka and Tomer Hanuka (First Second)
Full Frontal Nerdity by Aaron Williams (ffn.nodwick.com)
Erin Dies Alone written by Grey Carter, art by Cory Rydell (dyingalone.net)

Best Dramatic Presentation, Long Form

The Martian screenplay by Drew Goddard, directed by Ridley Scott (Scott Free Productions; Kinberg Genre; TSG Entertainment; 20th Century Fox)
Mad Max: Fury Road written by George Miller, Brendan McCarthy, and Nico Lathouris, directed by George Miller (Village Roadshow Pictures; Kennedy Miller Mitchell; RatPac-Dune Entertainment; Warner Bros. Pictures)
Star Wars: The Force Awakens written by Lawrence Kasdan, J. J. Abrams, and Michael Arndt, directed by J.J. Abrams (Lucasfilm Ltd.; Bad Robot Productions; Walt Disney Studios Motion Pictures)
Ex Machina written and directed by Alex Garland (Film4; DNA Films; Universal Pictures)
Avengers: Age of Ultron written and directed by Joss Whedon (Marvel Studios; Walt Disney Studios Motion Pictures)

Best Dramatic Presentation, Short Form

Jessica Jones: “AKA Smile” written by Scott Reynolds, Melissa Rosenberg, and Jamie King, directed by Michael Rymer (Marvel Television; ABC Studios; Tall Girls Productions; Netflix)
Doctor Who: “Heaven Sent” written by Steven Moffat, directed by Rachel Talalay (BBC Television)
Grimm: “Headache” written by Jim Kouf and David Greenwalt, directed by Jim Kouf (Universal Television; GK Productions; Hazy Mills Productions; Open 4 Business Productions; NBCUniversal Television Distribution)
Supernatural: “Just My Imagination” written by Jenny Klein, directed by Richard Speight Jr. (Kripke Enterprises; Wonderland Sound and Vision; Warner Bros. Television)
My Little Pony: Friendship Is Magic: “The Cutie Map” Parts 1 and 2 written by Scott Sonneborn, M.A. Larson, and Meghan McCarthy, directed by Jayson Thiessen and Jim Miller (DHX Media/Vancouver; Hasbro Studios)

Best Editor, Short Form

Ellen Datlow
Sheila Williams
Neil Clarke
John Joseph Adams
Jerry Pournelle

Best Editor, Long Form

Sheila E. Gilbert
Liz Gorinsky
Toni Weisskopf
Jim Minz
Vox Day

Best Professional Artist

Abigail Larson
Michal Karcz
Larry Elmore
Larry Rostant
Lars Braad Andersen

Best Semiprozine

Uncanny Magazine edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Erika Ensign & Steven Schapansky
Strange Horizons edited by Catherine Krahe, Julia Rios, A. J. Odasso, Vanessa Rose Phin, Maureen Kincaid Speller, and the Strange Horizons staff
Beneath Ceaseless Skies edited by Scott H. Andrews
Daily Science Fiction edited by Michele-Lee Barasso and Jonathan Laden
Sci Phi Journal edited by Jason Rennie

Best Fanzine

File 770 edited by Mike Glyer
Lady Business edited by Clare, Ira, Jodie, KJ, Renay, and Susan
Tangent Online edited by Dave Truesdale
Superversive SF edited by Jason Rennie
Castalia House Blog edited by Jeffro Johnson

Best Fancast

No Award
Tales to Terrify, Stephen Kilpatrick
The Rageaholic, RazörFist
8-4 Play, Mark MacDonald, John Ricciardi, Hiroko Minamoto, and Justin Epperson
Cane and Rinse, Cane and Rinse
HelloGreedo, HelloGreedo

Best Fan Writer

Mike Glyer
Jeffro Johnson
Morgan Holmes
Shamus Young
Douglas Ernst

Best Fan Artist

Steve Stiles
Christian Quinot
Matthew Callahan
Kukuruyo
disse86

The John W. Campbell Award for Best New Writer

Award for the best new professional science fiction or fantasy writer of 2014 or 2015, sponsored by Dell Magazines. (Not a Hugo Award, but administered along with the Hugo Awards.)

Andy Weir *
Alyssa Wong *
Pierce Brown *
Sebastien de Castell *
Brian Niemeier

* Finalists in their 2nd year of eligibility.

Congrats to all of the winners!


Now, on to the Sad/Rabid Puppy business. Basically, there's two groups of people, the Sad Puppies and Rabid Puppies who really, really dislike the fact that women, people of color, and LGBT are so successful at winning awards. They have it in their heads that conservative white, CIS, heterosexual men are being suppressed, repressed, oppressed, steam pressed by this fact. Clearly, the Hugos are being rigged by these groups and the radical leftists (which is pretty much anybody even a smidgen to the left of Donald Trump these days) because there is just no way that writers of color, women, and queer writers can be talented enough to garner nominations, let alone win them against the sheer, blinding brilliance of straight white dudes.

INCONCEIVABLE!

They also have a rather silly notion that science fiction is supposed to be more like Buck Rogers and Flash Gordon than excellent story telling and deep, thoughtful explorations of humanity, technology, and the morals and ethics of both. Nope, science fiction is supposed to be an ex-confederate running around on Mars clad in nothing but a loincloth and waving a sword like a mad man.

I can only imagine what they think fantasy fiction is supposed to be. Probably the Gor novels.

Last year, the Puppies managed to capture several award categories which resulted in very few awards being given out because everybody else voted "No Award". This year, as you can see above, they still managed to capture two categories and like last year, failed to win anything but scorn. Hopefully, next year they'll not even bother, but I seriously doubt it.

But now on to happier things. I absolutely love that women won eight out of the sixteen categories. A total of eleven women won and of those, four are women of color (two African-Americans, one Chinese, and one Filipino). Michi Trota also became the first Filipino to win a Hugo.

Not bad. Not bad at all. For those who want to, below are links to Hao Jingfang's "Folding Beijing" and Naomi Kritzer's "Cat Pictures Please", as well as a link to read an excerpt of Nnedi Okorafor's "Binti".

Folding Beijing
Cat Pictures Please
Binti

And of course, you can buy Okorafor's Binti and N.K. Jemisin's The Fifth Season wherever they sell those things called books.

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